Products

Our Best Served Bold tote features a stylised Colombian landscape, with rolling mountains, warm horizons, and a 4x4 loaded with coffee travelling through origin terrain. The illustration celebrates the expressive, character-driven spirit behind some of the world’s most vibrant coffees. Designed to carry more than just the essentials, this tote reflects Qima’s commitment to coffees that speak for themselves. Made from heavyweight 16oz natural cotton canvas, the undyed, untreated fabric is chosen for its durability and structured feel, built for everyday use.

Notes of concord grape, peach, fruit pastille, and lemonade.From Finca La Pradera, a sixteen-hectare estate in Pijao, Quindío, with twelve hectares planted to coffee. Run by Felipe Archila at around 1,750 metres in Colombia's central mountain range.Pijao sits inside the UNESCO Coffee Cultural Landscape of Colombia, a stretch of the Andes where coffee has shaped the geography, the architecture, and the rhythm of daily life for over a century. The valleys here are steep, the soils volcanic, the rainfall reliable. It is one of the few places in the world where the act of growing coffee has been formally recognised as cultural heritage.Qima Colombia was established in 2020 to replicate the Yemen sourcing model at a larger, more accessible scale. La Pradera Red Berry is one expression of that work. A Colombian variety, a Colombian protocol, served at café-grade quality without the rarity premium that usually comes with it.

Notes of fudge, gala apple, pear tea, and blood orange. From La Loma, a small farm in Palanda, in Ecuador's Zamora Chinchipe region, at 1,400 metres above sea level. The farm covers two hectares, with coffee planted across just over half of it, grown under shade alongside fruit trees and native species.La Loma is run by Edwin Calva, a third-generation producer whose family has farmed this hillside since his grandparents first planted coffee here. Edwin works with F1 hybrid varieties and a washed protocol shaped by years of experimentation, carrying the work forward while pushing what a small Ecuadorian farm can produce.A clean, structured cup with quiet depth. Familiar enough to drink every day. Specific enough to belong to one farm, one family, one hillside that has held coffee for three generations.

A square cushion cover in a warm beige fabric, decorated with raised embroidery in purple, pink, red and orange, with gold and silver accents. The design draws on traditional Yemeni stitches, motifs and colour palettes, arranging small floral squares into stepped geometric forms around a central diamond. This hand-embroidered cushion cover was made by Hayam, a mother of three whose children are enrolled in YENOF’s education programme. Having previously lacked access to formal education, Hayam had her first classroom experience through YENOF’s embroidery programme. She has since developed valuable skills that allow her to contribute to her family’s income while building greater confidence and independence. Her experience has also strengthened her commitment to ensuring that her children continue their education. Handmade and richly textured, this is a one-of-a-kind piece, with only one available.

A square cushion cover in a soft ivory fabric, decorated with raised embroidery in turquoise, teal, burgundy, pink, pale green and grey. The design draws on traditional Yemeni stitches, motifs and colour palettes, forming a bold interlocking geometric pattern with a richly layered finish. This hand-embroidered cushion cover was made by Lowtfiyah, a mother of three grown-up children who joined YENOF in 2020 to supplement her family’s income. Having had no access to formal education, she developed her skills through YENOF’s embroidery programme. In 2025, she also contributed to its embroidery preservation project, creating a wall piece inspired by festive dresses from the Djebel Haraz region. The piece was selected for display at the Pitt Rivers Museum in Oxford in May 2026. Handmade and richly textured, this is a one-of-a-kind piece, with only one available.

A square cushion cover in a warm golden-brown fabric, decorated with raised pink and cream embroidery. The design draws on traditional stitches, motifs, designs and colour palettes from governorates across Yemen, forming a layered geometric floral pattern around a circular centre. This hand-embroidered cushion cover was made by Rodayna, a young participant in YENOF’s education and embroidery programme. After first enrolling in school through YENOF with her sister, Rodayna learned embroidery during after-school hours and holidays, developing skills that support both her education and personal growth. In 2025, she also took part in YENOF’s embroidery preservation project, helping celebrate Yemen’s rich and living cultural heritage. Handmade and richly textured, this is a one-of-a-kind piece, with only one set available.

A rectangular zip pouch in deep blue fabric, richly embroidered with gold thread in alternating rows of herringbone and interlaced geometric patterns. Finished with a soft gold tassel and matching cord strap, the design draws on traditional Yemeni stitches, motifs and colour palettes. This hand-embroidered pouch was made by Bushra, a mother of two who joined YENOF’s embroidery programme in 2016 to supplement her family’s income and support her children’s education. She has since developed valuable skills through her participation in several of the organisation’s embroidery initiatives. Handmade and intricately textured, this is a one-of-a-kind piece, with only one available.

A rectangular zip pouch richly embroidered with repeating cross-shaped stitches in gold, cream and warm yellow, set against a deep burgundy and black grid. The dense geometric pattern draws on traditional Yemeni stitches, motifs and colour palettes, while a soft gold tassel adds an elegant finishing touch. This hand-embroidered pouch was made by Khayzaran, a self-taught embroiderer who co-founded YENOF’s embroidery programme with Nouria Nagi OBE in 2013. She has since led numerous workshops and taught Yemeni hand embroidery to several women. Her earlier work in restoration and documentation continues to inform her practice, and she has played a central role in YENOF’s preservation projects by training and supervising participants while creating her own wall pieces. Her work has also been featured in several contemporary art exhibitions. Handmade and intricately detailed, this is a one-of-a-kind piece, with only one available.

A rectangular zip pouch in ivory fabric, richly covered with gold embroidery arranged in repeating spirals and leaf-like forms. Finished with a cream tassel and a fine gold cord strap, the design draws on traditional Yemeni stitches, motifs and colour palettes. This hand-embroidered pouch was made by Lowtfiyah, a mother of three grown-up children who joined YENOF in 2020 to supplement her family’s income. Having had no access to formal education, she developed her skills through YENOF’s embroidery programme. In 2025, she also contributed to its embroidery preservation project, creating a wall piece inspired by festive dresses from the Djebel Haraz region. The piece was selected for display at the Pitt Rivers Museum in Oxford in May 2026. Handmade and intricately textured, this is a one-of-a-kind piece, with only one available.

A rectangular zip pouch in black fabric, decorated with red knotted embroidery and vertical white detailing, accented with small gold-toned sequins. The repeating pattern draws on traditional Yemeni stitches, motifs and colour palettes, while a soft grey tassel adds a delicate finishing touch. This hand-embroidered pouch was made by Rodayna, a young participant in YENOF’s education and embroidery programme. After first enrolling in school through YENOF with her sister, Rodayna learned embroidery during after-school hours and holidays, developing skills that support both her education and personal growth. In 2025, she also took part in YENOF’s embroidery preservation project, helping celebrate Yemen’s rich and living cultural heritage. Handmade and intricately detailed, this is a one-of-a-kind piece, with only one available.

A rectangular zip pouch covered with intricate embroidery in deep red, gold and black. Small floral stitches are arranged within a structured grid, forming alternating vertical bands across the surface. A burgundy tassel completes the design, which draws on traditional Yemeni stitches, motifs and colour palettes. This hand-embroidered pouch was made by Sammya, a government-school teacher who began her embroidery journey with YENOF in 2017. Over the years, embroidery became an important source of support for her family. During the height of the war, when government salaries were frequently delayed or irregular, it provided a reliable supplementary income that helped cover essential household expenses and support her daughter’s university education. Handmade and intricately detailed, this is a one-of-a-kind piece, with only one available.

A rectangular zip pouch in deep green fabric, decorated with repeating chevron-shaped embroidery in red, pink, orange, yellow and pale green. Small sequins add subtle shine throughout the structured geometric pattern, while a soft green tassel completes the design. This hand-embroidered pouch was made by Sammya, a government-school teacher who began her embroidery journey with YENOF in 2017. Over the years, embroidery became an important source of support for her family. During the height of the war, when government salaries were frequently delayed or irregular, it provided a reliable supplementary income that helped cover essential household expenses and support her daughter’s university education. Handmade and intricately detailed, this is a one-of-a-kind piece, with only one available.